TRANSITION ─ Sam Jinks Solo Exhibition

TRANSITION ─ Sam Jinks Solo Exhibition
TRANSITION ─ Sam Jinks Solo Exhibition

2018.05.05 - 2018.08.26 | 2F-3F, Yu-Hsiu Museum of Art

Introduction

Yu-Hsiu Museum of Art proudly presents our second international contemporary realist exhibition in 2018, showcasing the works by Australian artist Sam Jinks. Jinks enjoys much accolade in the international art scene for his hyperrealistic sculptures. Art critic Janine Burke once described Jinks as one of the artists leading the wave of hyperrealism in Australia. Jinks’ works have been shown in various prestigious venues, among which are Venice Biennale, National Gallery of Australia, etc.

 

Transition embodies the artist’s attempt to capture the fluid consciousness of life with his physical works and convey his understanding of life’s journey from birth to its end. Babies and still life, two sculptures on view in this exhibition, interpret the transition of consciousness from its entering into a body to its departure from it; in the meantime, they also respond to the fact that “human beings” as “individuals” would experience transitions of consciousness under different, changing circumstances in life.

 

Jinks’ works are known for their hyperrealistic details, such as the skin, veins, and exquisite pores. One can seem to feel the warmth of each breath when looking at his sculptures closely. He usually chooses to create his works in the sizes of one third or two third of the regular human size. In his opinion, although his works are not religious, when they connect and resonate with the minds of spectators, creating a dialogue with others’ life experience, that specific moment represents the most perfect connection in creative work.

Artists' Profile




Sam Jinks Sam Jinks


Australian artist Sam Jinks was born in Bendigo, Australia in 1973. Jinks started making art in his free time when he worked as a commercial sculptor for film and television. Using resin and silicone, the artist has created a body of hyperreal sculptures, which is so exquisite and delicate that one feels impressed by the work’s realistic texture even without touching it. Jinks’ hyperreal sculpture not only evokes those most intimate moments buried deep in spectators’ minds, but also inspires scientists with his honest and minute observation. In recent years, the scientific field has applied the silicon skin he created to the creation of robots. It is hoped that, through Jinks’ creative work, robots can be more realistic and exude a more vivid sense of warm and humanity, which will further the development of robotic application.

Photos

  • Kneeling woman │ Silicone, Pigment, Resin and Human hair │ 30 x 28 x 72 cm │ 2015

  • Babies │ Silicone, Pigment, Resin and Human hair │ 30 x 25 x 10 cm │ 2012

  • The Hanging Man │ Silicone, Pigment, Resin and Human hair │140 x 50 x 30 cm│ 2006

  • Tattooed Woman │ Silicone, Pigment, Resin and Human hair │115 x 50 x 40 cm │ 2007

  • Tattooed Woman │ Silicone, Pigment, Resin and Human hair │115 x 50 x 40 cm │ 2007

  • Installation view of 3rd floor gallery

  • Installation view of 3rd floor gallery

  • Untitled (Seated Pieta) │ Silicone, Pigment, Resin, Human hair and Fabric │160 x 123 x 60 cm│ 2007

  • 2018.05.05 Opening

  • 2018.05.05 Opening

  • 2018.05.05 Opening

  • Kneeling woman │ Silicone, Pigment, Resin and Human hair │ 30 x 28 x 72 cm │ 2015
  • Babies │ Silicone, Pigment, Resin and Human hair │ 30 x 25 x 10 cm │ 2012
  • The Hanging Man │ Silicone, Pigment, Resin and Human hair │140 x 50 x 30 cm│ 2006
  • Tattooed Woman │ Silicone, Pigment, Resin and Human hair │115 x 50 x 40 cm │ 2007
  • Tattooed Woman │ Silicone, Pigment, Resin and Human hair │115 x 50 x 40 cm │ 2007
  • Installation view of 3rd floor gallery
  • Installation view of 3rd floor gallery
  • Untitled (Seated Pieta) │ Silicone, Pigment, Resin, Human hair and Fabric │160 x 123 x 60 cm│ 2007
  • 2018.05.05 Opening
  • 2018.05.05 Opening
  • 2018.05.05 Opening

Videos

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