Bodyscape: Patricia Piccinini


2016.5.22 - 2016.9.11 | 2F-3F, Yu-Hsiu Museum of Art
Introduction
Bodyscape focuses on an imaginary landscape composed of unique and mythicised ‘bodies’. This isn’t a typical landscape of natural scenes, but rather it is a fantasised landscape created by Patricia Piccinini, featuring hybridised creatures and quasi-real narratives. This exhibition presents a very specific selection of artworks in various media, which have been created by Piccinini during the past fifteen years, including three series of photographs, Nature’s Little Helpers (2005), The Fitzroy Series (2011), Science Story (2001-2002), nine pieces of sculpture, one video work Tender (2014), and several sketches which are being displayed in public for the first time.
While Piccinini’s work is magical in nature, it utilizes everyday-life objects and scenarios as its background and motifs, through which she deliberately creates a surreal world, or ‘another world’, populated with hybridised and imaginary creatures. Piccinini has created these fantasised beings which, with their recognizably human perspectives, seem so real that viewers are able to establish emotional relationships with them in their daily routines. The exhibited works explore the discourse of contemporary bio-technology, as well as raising awareness for animals which are increasingly at risk of extinction. Ultimately, Piccinini’s art questions human desire, alongside the issues of bio-technology, and how this affects people’s lives.
Artists' Profile
PATRICIA PICCININI
Born in Sierra Leone, West Africa in 1965, the Piccinini family moved to Australia when Patricia was seven years old. She received her BA in Economic History from Australian National University in 1988, and her BA in Painting from Victorian College of the Arts, Melbourne, Australia. Piccinini uses a wide range of media, including painting, video, sound, installation, digital photography, and sculpture. In 2003, she represented Australia and participated in the 50th Venice Biennale, in which she exhibited the series, We are Family. In 2014, she was awarded the Artist Award by the Melbourne Art Foundation. Piccinini uses artistic creation to explore the effect of technology on our daily life. She is fascinated by how nature and artificiality change our society. Her work often involves biotechnology, genetic therapy and human genetic structure while discussing the mechanism of human consumption culture. Her work always creates a sense of spectacle, amazement, and mystery whereas the implications are thought-provoking.